David Cairns remixes Hitchcock - that's almost too wonderful to stand. Why don't more people do this? with films of all sorts? It's a beautiful thing...
I have seen some films this week: M for the German film class, which is, of course, one of the Greatest Films Ever Made - a fact confirmed and reconfirmed every time I see it. And Alphaville - part of an ongoing Godard series; Godard in the 60s - one of the two or three greatest decades any filmmaker has ever had (there's Capra and Ozu in the 30s; there's Ozu in the 50s - and there's Godard in the 60s; with Hou in the 80s, Imamura in the 60s not too far off)... But as I mentioned at Ed Howard's blog - it's frustrating that Godard in the 60s gets all the programming love. By now, I have seen these films many times - I own a lot of them - I know what they are. But his later work - I don't know what they are. I know some of them are available on DVD< but a DVD is not a movie. No matter how good his 80s films (say) might be, how can a DVD of First Name Carmen or Detective compete with a nice new print of Pierrot le Fou or Vivre Sa Vie? They can't.
And I saw Two Lovers - people keep trying to say James Gray is a top notch director, but his films - they're not bad, really - they feel like movies, all the way down, and that is worth something - but holy crap, this is boring. A very old and very tired storyline - poor artistic depressive Joaquin Phoenix is maneuvered into a relationship with nice Jewish girl Vinessa Show, while pining for the blonde loser played by Gwyneth Paltrow who is waiting for Elias Koteas to leave his wife. Neither woman has much personality - Phoenix' character is a sad sack who never gets to be much else but a sad sack. Isabella Rosselini plays his mother, and remains many orders of magnitude more beautiful and desirable than the two lovers put together... It's annoying - because Gray has something - the film, the story, and the film, flickers into somethign interesting from time to time, but never gets there... god, at times it reminded me of - I don't know - Edward Yang - how can a film remind me of Edward Yang and be this boring? One fo these days Gray will hit it: he will make a film that convinces me. But now - this is like watching all those David Fincher films in the 90s - I say, this guy has something, but these films suck... but sooner or later, it will work.
Probably by remaking M. With its letters to the press, its false leads and clues, its media savvy, its double world of cops and criminals - is the template of serial killer films to come, and most especially for Zodiac - with its newspapers and publicity seeking murderers and unreliable witnesses and double world, here of cops and newspapermen - follows the template closely and well...
Though with nothing to compare to Lang's way with images, or Peter Lorre.
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